Meet the team

 

Tony Window

Director
0207 014 5026
tony_window@metroimaging.co.uk

I worked at Ceta in Soho for 22 years before moving to Metro in 2006. I thought a new company: a new challenge! When I’m not here I like keeping fit, especially running.

Simon Turner

Production Manager
0207 014 5023
simon_turner@metroimaging.co.uk

I had an interest in photography from a young age. I left school and spent 10 years working up from a junior to being in charge of E6,C41 and B+W processing at Graham Nash Ltd in Stephen Mews, W1. I left there and travelled around the world for 2 years working at Vision Graphics in Sydney, Australia for a while before returning and working as Production Manager at the Wardour Street branch of Joes Basement in the west end. I joined Metro in 2002 after hearing what a progressive company it was through staff already working here.

In my spare time I shoot the occasional job but mainly enjoy relaxing with my family well away from the hustle and bustle of London.

John Waite

Scanner Operator
I had a interest in photography from a young age, and went on to study it at college. I worked at Colorama and Jessops for a few years, and saw a opening at Metro and went for it, that was ten years ago, and I’ve been here ever since.
I’m grateful to be part of a vibrant and ever evolving company.
I still enjoy photography in my spare time, I also like to take long rides on my motorbike and the occasional..very occasional…visit to the gym.

 

John Cleur

Digital Operator
john_cleur@metroimaging.co.uk

Although I work digitally, I started off as a conventional B&W Printer. Even now it’s still more the aesthetic rather than technical aspect of printing digitally that interests me. I prefer to talk in terms of stops and vignettes rather than histograms and curves.

With the development of the digital bromide process it allows me to utilise the skills I’ve developed in the darkroom with all the benefits of working in a digital medium. It’s important to me to be able to interpret and enable the vision of a photographer or artist to become reality – at the end of the day it’s what’s in the frame that counts.